• I came to England because this is where it all began. the birthplace of the Industrial Revolution, where our relationship with machines first changed what it meant to be human.

    Throughout history, technology promised to assist humanity, yet often replaced it.

    Artisans were replaced by machines.
    Cashiers were replaced by kiosks.
    Now, AI is taking over entire industries and with them, millions of human lives and livelihoods.

    As one of the few remaining traditional artisans, I’ve seen firsthand how the quiet disappearance of the human touch mirrors the quiet erosion of humanity itself.

    I refuse to quietly accept a world that idolizes efficiency and perfection at the cost of humanity.

    A world that leaves the imperfect, inefficient human behind.

    This is not progress.

  • Handcrafting is more than a method.
    It’s a philosophy.

    It creates a sustainable way of living that respects resources and resists overconsumption for the next generation.

    To create by hand is to seek harmony between nature and humanity to care for the Earth and all who share it.

    It is also an act of love for the community valuing small, intentional work and supporting local economies.

    Handcraft is not a tradition. It’s how we live with care and meaning.

  • Because my dishes are canvases on which your life's stories unfold.

    Whether it's an intimate dinner, cherished moments with loved ones,
    or small daily comforts, the stories you create on each piece become true art.

    My work isn’t just vessels for food; they're spaces holding your emotions and life's meaningful moments.

    Ultimately, my work is completed when your everyday artistry breathes life into it, transforming each meal into a canvas of personal expression.

This is where I begin.

The Cost of Efficiency,
the Choice for Humanity

Machines never rest.
AI never sleeps.
Human hands disappear.

Over the past 20 years, the relentless pursuit of low-cost, high-speed, and high
-efficiency production has flooded global markets with ‘Made in China’ products.

While this has made goods cheaper,
it comes at a cost:
ㅡ Exploitation of labor
ㅡ Environmental destruction
ㅡ Loss of ethical production

We justify it by telling ourselves:

Saving money is worth destroying forests.


Wherever you are,
Whatever you buy,
It’s Made in China.

Cheap. Fast. Disposable

We now value efficiency above all else. above nature
above human dignity
above sustainability.

How did we get here?
Is it because we forgot what it means to create with our own hands?
Or because we were taught that mass production equals progress?

Look around you.
Everything you see
is made by machines.
We don’t just live with it.
We live inside it.

Just as vegetarianism emerged to challenge the inhumane practices of industries prioritizing profit over life,
we must now confront the reckless destruction of our environment.

This is not just about cheap products.
It’s about how we live and consume as a society.

To craft is to choose
a future where we do not walk alone, but together.

The answer?

Sustainability and localism.

If we wish to live in harmony with nature,
we must:
— Move beyond industrial efficiency
— Produce only what is needed
— Protect local cultures
— Restore human-centered production

At the heart of this is craftsmanship.

Handcrafting offers a path for
humans and nature to coexist.
By bringing handcraft back into society,
we challenge the throwaway mentality that destroys our world. the one that
sacrifices the environment for mass production and overconsumption.

Handcrafting uses natural resources responsibly, allowing ecosystems to regenerate and thrive.
This is the essence of a sustainable.

A path where we walk together

with future generations,
with nature,
with every life on Earth.

What if industries chose handcraft over machines? Pollution and deforestation would drastically decrease.

Companies would require more human hands, creating jobs and redistributing wealth.

But instead, countless workers have lost their jobs to kiosks and automation,
as business owners prioritize higher profits over human livelihoods.

Today,

Machines replace workers.
Small businesses disappear.
Profits over people.

Mass production accelerates monopolization, making it harder for small, local businesses to survive.

Machines lead to environmental destruction, economic inequality,
and the loss of human value in production.

In contrast,
a society built on craftsmanship promotes:
— Fair wealth distribution,
— Respect for individual skills
— Protection the planet.

So, Where do we go from here?

We stand at a crossroads.

Will we continue sacrificing the nature and people for speed and efficiency, or will we choose a sustainable path where nature and humanity coexist?

I choose the latter. Craftsmanship is more than a method of making things,
It is a movement to restore balance, ensuring that nature and humanity thrive together in harmony.

This is why I make.

Clay, Life, and Everything.

An artist creates for the self.
An artisan creates for humanity.

An artist follows a personal vision.
An artisan responds to human needs.

I shape objects not for beauty alone, but for life — for the table where we share meals, for the hands that hold,
and for the moments we live. But perhaps, deeper than that, I work with clay because life itself is clay.

All life on Earth comes from the clay, and when life ends, it returns to clay.
The Earth itself is one vast body of clay, and we are born upon it, live upon it, and return to it.

When I shape clay, I am not merely making an object — I am part of a cycle as ancient as the Earth itself.
Through fire, clay becomes strong and enduring. And in this fragile yet eternal material, I see the story of life.

More than 20,000 years ago, as humans first harnessed fire,They discovered that clay near the flames hardened overnight.
This was the first vessel — and it changed everything.

Because for the first time, we could store water, seeds, and food — allowing us to survive harsh winters and droughts.
From this simple vessel, the agricultural revolution began.

With the ability to store and protect food, humans could settle,
cultivate the land, and form communities. And from these first communities, civilization was born.

So clay holds more than just food. It holds the beginning of all civilizations. It holds life, sustains life, and when life is gone,
it holds memory. This is why I choose to work with clay.

Because when I make, I do not make alone — I make with the Earth, with time,
with every life that came before us and every life that will come after. Because in shaping clay,

I shape a connection between all life that has been, all life that is, and all life that will be.

Thank you for taking the time to read this. If my philosophy and work
resonate with you, that means the world to me.